Soundscape
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English
正體中文(Taiwan)
sound sCape
mentor : PEI
Class Room : NCTU Xue-Ren Hall 1st Building, Room HA316
Departs from the audio environment of your own surrounding, aimed to rediscover and understand what have been neglecting by ear in daily life, those mechanical, humanistic events, sometimes hidden, somehow unaware. I called a session of soundscape recording as “seed”. By editing and manipulating computing sound waves and de-constructing sound-object, to patch virtual soundscape with multi-tracking environment. This workshop emphasis on listening experiences, students would be asked to produce 3 to 30 mins of audio work, alternatively, a co-operation with other module's student as the outcome of workshop.
course slides : (for now, til this wiki support slideshare extension)
http://www.slideshare.net/vul3jp6/listening-experience12/
http://www.slideshare.net/vul3jp6/listening-experience34/
outline :
| Date | / (1st half) 10AM – 1PM | / (2nd half) 2PM - 6PM |
| 30,June
Monday |
● listening to nature(/)urban soundscape ● create/record seeds ● knowing hardware/recorders ● on campus (:) recording ● thinking in a team work |
● decided your team ● on moves (/) stand point recording ● discuss about known sound sCape ● Head-Out (:) recording |
| 01,July
Tuesday |
● Seeds into pool ● Knowing waves /manipulation (Audacity) ● Listening/quantaphonic/sequencing (PD) ● project discussion (3-30mins audio work) ● recording (:) field research at nite |
● ogg*m3u listing / streaming ● Art (/) & Sounds |
| 02,July
Wednesday |
● project discussion / more experiments ● technical helps, concept refine ● musical programming (/) in time ● preparing for next streaming |
● open streaming ● individual group work ● try to finalize/more recording(?) |
| 03,July
Thursday |
● creative time |
● creative time |
| 04,July
Friday |
● Organising exhibition space ● Rehearsal for performance | ================ show time ======================= |
(/) lecture topics :
1.) listening experience of natural & urban soundscpae.
2.) recording methods and subtly listening on the moves or stand point.
3.) Art had Sounds : on-going project of audio art, and sound installation.
4.) musical programming in time / controlling parameters
(:) recording session
(?) open for optional possibilities
workshop equipment :
● portable recording device & micphone (see Creative_Pack)
● 2 pairs of active speakers (4 monitors for quantaphonic)+ Subwoofer
● 8 tracks (or above) audio mixer
● cables for speaker, mixer connections based on room planning
● beamer
● notebook (spared in case)
● 20 of each cd/dvd blank disc
Student should come along with :
<hardware>
● laptop computer w/ wlan
● pair of headphone
<download software>
wave editing, plugin & codec :
● Audacity (v 1.2.6) : http://audacity.sourceforge.net/download/
● LADSPA plugin : http://audacity.sourceforge.net/download/
● LAME MP3 encoder plugin (v 3.97) : http://lame.sourceforge.net/index.php
patching & sequencing :
● PD with latest extended library : http://puredata.info/
player :'
● VLC player : http://www.videolan.org/vlc/
● foobar 2000 player : http://www.foobar2000.org/
streaming :
● edcast (for foobar or standalone streaming) : http://oddsock.org/tools/edcast/
<FLOSS reference>
● Jack Audio : http://jackaudio.org/
● CPS : http://cps.bonneville.nl/
● pure:dyne : https://devel.goto10.org/puredyne
● http://www.opensound.com/ossapps.html
● http://www.opensourcewindows.org/
